简介:
Somewhere in the remote region, the war ends. In t…
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
● 请问哪里可以免费观看电影《欧洲的某个地方》全集?
奇优影院网友: 欧洲的某个地方HD中字免费在线观看由奇优影院(www.qzjx7.com)免费提供, 如果你喜欢,请复制以下链接分享给你的周围的小伙伴: https://www.qzjx7.com/qzvoddetail/84468.html,欧洲的某个地方支持PC和手机同时在线观看! 感谢您对我们的信任和认可,我们尽自己所能提供更加画面清晰、播放无卡顿的视频!
● 奇优影院提供的《欧洲的某个地方》导演和编剧都是谁,导演在这个电影中想表达什么?
小小影视网友: 本站提供的是《欧洲的某个地方》导演是Radványi,Géza,编剧是贝拉·巴拉兹,Rad, 这部电影可以帮助我们思考自己的成长过程,探索人生的意义和目的,并激励我们积极追求自己的个人成长和幸福。
● 《欧洲的某个地方》是什么时候上映/什么时候开播的。目前更新状态是什么,一共有多少集?是否完结?
大海影视网友: 1948-11-19上映的,详细日期及影片信息可以去百度百科 查一查。一共有1集,目前《欧洲的某个地方》的更新状态是HD中字。 整部电影的制作非常用心,通过引发观众的疑问和困惑,促使观众思考人类存在的意义、道德准则和行为选择。
● 电影《欧洲的某个地方》是什么类型的?包含什么风格?对其打标签的话,包含了哪些标签或者元素?
星空影院网友: 《欧洲的某个地方》的包含以下类型:剧情,本站认为影片包含以下风格:欧洲的某个地方,thewarends.Inthemidstofruinedcitiesandhousesinthestreets,inruralhamlets,everywherewherepeopl。 剧情片通过情感共鸣和人性的复杂性,启发观众思考关于爱、悲伤、希望和宽容等方面的主题。
● 《欧洲的某个地方》电影的价值观和思想表达是什么??
麻花影视网友: 《欧洲的某个地方》这部电影是1948年发生在其它的故事。作品关注个体身份的建立和认同,探索个体在社会和文化背景下的自我发现和成长。
● 网上对《欧洲的某个地方》评价怎么样?
截止到目前为止,影片《欧洲的某个地方》已经有“213”参与点评。其中有“49”人点赞并表示如果你是剧情片类型电影的爱好者,那就是不可错过的杰出作品。另外有164人觉得还可以,值得一看。但是还有644人觉得影片不行,角色发展薄弱,技术方面存在明显的问题。
努努影院网友评价:看得出来这是一部用心制作的良心剧情片,里面保留了很多剧情片元素,但也有创新的部分,比如人物性格的的表现上。剧情上环环紧扣,刺激的网络对决,这场无声的战争让人看得很紧张,太精彩了!
白嫖者联盟网友评论:《欧洲的某个地方》这个电影是由导演Radványi,Géza主导的的,真的很喜欢,虽然刚开始的时候是冲着Artú去的,但剧情,特效做的也很棒,啊!
大米星球网友评论:本人是剧情片的忠实粉丝,看电影就图个感官刺激和强节奏。数据网络具象化这一点比较有新意,电影赛博朋克的质感以及剧情片元素的渗透都值得称赞。。